Aurel Bereuter fights for Sonja's heart at Schlachthof München


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Aurel Bereuter fights for Sonja – between the stable, self-irony, and strong feelings
On Wednesday, October 28, 2026, Aurel Bereuter transforms the inn at Schlachthof München into a stage for an unusual love story. In his self-ironic solo Sonja, her horse... and ME?, he attempts to win back his ex-partner – and gets caught up in an absurd yet hilarious world of horse love, relationship crises, and a quest for identity.
When heartbreak becomes a stage adventure
Aurel is convinced that Sonja is the right one for him. Sonja, a systemic coach and horse trainer, sees the situation much more soberly. While she acts from her center, Aurel is still searching for his own center between acting training, agricultural engineering knowledge, and a desperate mission to win her back. The stage performance thrives on this comedic contrast: strong feelings collide with relentless self-observation.
From Andalusian stallion to monastery monk
To gain Sonja's attention, Bereuter quickly slips into various roles. He tries his hand as a temperamental Andalusian stallion, a silent monastery monk, and an agricultural engineer. His dance interpretation of a pregnancy check creates a scene that lingers long in memory. Body, voice, language, and expression become the most important instruments of the evening.
Presence, tempo, and versatile acting talent
Bereuter combines precise timing with physical comedy and a flexible stage presence. The production relies on quick role changes, characteristic gestures, and direct audience engagement. Süddeutsche Zeitung classifies the evening as a ruthlessly comedic confrontation with the crises of the modern man. Donaukurier highlights Bereuter's presence, his tempo, and his ability to change shape and voice in seconds.
Live atmosphere at the inn in Schlachthof
In the inn at Schlachthof, the concentrated acoustics of an intimate stage meet the immediate audience atmosphere of a Munich cultural evening. Between light, movement, and pointed dialogue, a concert experience without music emerges – but with rhythm, synchronization, and comedic orchestration. Each role change sets a new impulse, and each physical punch drives the story forward.
Conclusion: A solo between the horse world and relationship comedy
Visitors can expect a fast-paced evening filled with absurdly comical images, precise acting, and an unusual story about love, self-discovery, and the attempt to become someone else. Those who want to experience cabaret, theater, and physical comedy live will find in Aurel Bereuter's solo a distinctive stage evening with strong recognition value.
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