When does the concert of the Munich Philharmonic take place?

The concert takes place on Friday, October 16, 2026, at 7:30 PM.

Where is the concert held?

The venue is the Isarphilharmonie at Gasteig HP8, Hans-Preißinger-Straße 8, 81379 Munich.

How much do the tickets cost?

The regular ticket prices start at 20 Euros. Additionally, there are discounted under-30 tickets starting at 11 Euros.

Who conducts the concert?

Anja Bihlmaier conducts the Munich Philharmonic.

Which work does Nicolas Altstaedt perform?

Nicolas Altstaedt interprets Dmitri Shostakovich's 1st Cello Concerto in E-flat major op. 107.

Is there a concert introduction?

Yes. The concert introduction begins at 6:15 PM in the rehearsal hall, House C, and lasts about 40 minutes.

Munich Philharmonic live in Munich 2026

Name: BIHLMAIER / ALTSTAEDT / STRAUSS, SHOSTAKOVICH, ZIMMERMANN, RAVEL / 1. Subscription K4
Start: 2026-10-16T19:30:00+02:00
End: 2026-10-16T23:00:00+02:00
Location: Isarphilharmonie im Gasteig HP8

Between Waltz Ecstasy and Musical Abyss: Munich Philharmonic in the Isarphilharmonie

On Friday, October 16, 2026, the Munich Philharmonic conducted by Anja Bihlmaier will connect Viennese elegance, nervous modernity, and orchestral timbres in an extraordinary symphony concert. The cellist Nicolas Altstaedt will be featured as a soloist. The concert begins at 7:30 PM in the Isarphilharmonie at Gasteig HP8.

The Danube Waltz Opens the Curtain

Johann Strauss’ famous waltz On the Beautiful Blue Danube opens the evening with shimmering string textures, dance-like movement, and the unmistakable brilliance of the Viennese concert tradition. Under Bihlmaier's direction, a sound image emerges that directly connects elegance with a festive live atmosphere.

Nicolas Altstaedt Interprets Shostakovich

At the center of the program is Dmitri Shostakovich’s 1st Cello Concerto in E-flat major. Nicolas Altstaedt encounters a score full of rhythmic tension, grotesque dance gestures, and sharply contoured orchestral colors. The work demands the highest precision in the synchronization between solo cello and orchestra and leads from nervous motorics to poignant, almost chamber music-like moments.

A Masquerade Ball of Music History

Bernd Alois Zimmermann’s Musique pour les soupers du Roi Ubu continues the play with dance. Quotes and musical fragments merge into a glaring collage where historical sound worlds collide. The orchestration feels like a musical masquerade ball: surprising, ironic, and full of abrupt shifts in perspective.

Ravel's Waltz Between Order and Ecstasy

With Maurice Ravel's La Valse, the waltz returns, but in a significantly darker form. The familiar dance begins to falter and transforms into an orchestral image of pull between memory, ecstasy, and decay. Especially in the Isarphilharmonie with its precise acoustics, the delicate nuance between transparent sound colors and great stage impact can unfold impressively.

Concert Introduction and Concert Experience

A concert introduction with Pia von dem Borne will begin at 6:15 PM in the rehearsal hall, House C, and lasts about 40 minutes. The main concert lasts about two hours including intermission. Visitors can expect a versatile classical evening with conducting, soloist performance, and a program that brings musical tradition and modernism directly together.

Conclusion: Classical Music Live in All Its Depth

This concert takes you from the festive Viennese waltz through Shostakovich's expressive cello music to Zimmermann's sound collage and Ravel's grand waltz fantasy. Those who want to experience the Munich Philharmonic, Anja Bihlmaier, and Nicolas Altstaedt in a program full of tension will find the perfect place for an intense concert evening in the Isarphilharmonie.