When does the exhibition take place?

The exhibition can be seen from November 19 to December 4, 2026, at the Bürgerhaus Unterschleißheim. The opening starts on November 19, 2026, at 7 PM.

What is the entrance fee?

According to the organizer, admission to the exhibition is free.

What works will be shown?

Drawings, etchings, lithographs, and sculptural works by Alfons Neubauer will be on display. An original model of the Pfenniggeiger fountain will also be presented.

When is the exhibition open?

The stated opening hours are Monday to Friday from 8 AM to 7 PM and Saturday from 8 AM to 2:30 PM. The exhibition is closed on Sundays and public holidays.

Where is the exhibition located?

The exhibition takes place at the Bürgerhaus Unterschleißheim, Rathausplatz 1, 85716 Unterschleißheim.

Are there guided tours or workshops?

No guided tours or workshops are indicated in the available event information for this exhibition.

Alfons Neubauer's Works and Paths: Art between Antiquity, Landscape, and Present

Name: ALFONS NEUBAUER | WORKS AND PATHS
Start: 2026-11-19T19:00:00+01:00
End: 2026-12-04T23:59:00+01:00
Location: Bürgerhaus Unterschleißheim

Alfons Neubauer: Works and Paths between Drawing, Sculpture, and Memory

The exhibition Works and Paths at the Bürgerhaus Unterschleißheim is dedicated to the versatile artistic creation of Alfons Neubauer. Under the guiding motif drawn - shaped - preserved, drawings, etchings, lithographs, and three-dimensional works come together. The opening offers a concentrated look at an art in which observation of nature, craftsmanship, and the historical experience of the museum converge.

From the Ancient Museum to Free Artistic Work

Alfons Neubauer studied sculpture in Munich, passed his master examination in 1987, and worked for many years as a sculptor and restorer at the State Collections of Antiquities and the Glyptothek Munich. This connection to ancient sculpture shapes his examination of works as well as his own language of forms. In his art, classical and modern plastics, graphic abstraction, and precise observation of human as well as landscape forms come together.

Line, Surface, and Sculptural Form

The exhibition guides visitors through different media and makes visible how a motif changes through drawing, printmaking, and sculpture. Etching and lithography open the view for line, rhythm, and surface, while three-dimensional works make the spatial effect, weight, and materiality of the form experienceable. This creates a varied artistic experience that oscillates between quiet concentration and physical presence.

Landscape as an Artistic Resonance Space

An important focus of Neubauer's graphic work lies in the landscape. Familiar surroundings and travel impressions are not just represented but transformed into independent pictorial signs and tension-filled abstractions. Between city and country, memory and present, an aesthetic experience develops that allows a new perspective on the familiar place.

Public Space and Cultural Memory

Particularly noteworthy are the city fountain and the Pfenniggeiger fountain in Freyung. An original model of the latter can be seen in the exhibition. Thus, the examination of works expands from the studio into public space: Sculpture becomes a visible trace of collective memory and enters into a direct dialogue with architecture, city history, and everyday life.

Exhibition Atmosphere and Cultural Education

The presentation invites visitors to attentively trace the transitions between painting, graphic art, sculpture, and installation. Neubauer's experience as a restorer sharpens the eye for surface, material, fragment, and preservation. At the same time, the exhibition conveys art-historical contexts without losing sight of the sensual encounter with the works.

The exhibition Alfons Neubauer | Works and Paths offers a multifaceted art experience between antiquity and present, studio and museum, landscape and public space. Art enthusiasts will experience a precisely curated selection of drawings, prints, and sculptural works, as well as the original model of the Pfenniggeiger fountain. Those who want to directly experience the aesthetic experience of line, material, and form should not miss this exhibition at the Bürgerhaus Unterschleißheim.