When does the exhibition take place?

The event takes place on Saturday, October 17, 2026, from 3:00 PM to 7:00 PM. The exhibition runs from October 9, 2026, to March 14, 2027.

Where is the exhibition located?

The exhibition is on view at the Pasinger Fabrik, Gallery 1, August-Exter-Straße 1, 81245 Munich.

How much is the admission fee?

The regular admission fee is 8 euros, the reduced admission fee is 5 euros.

Are there guided tours?

Yes. A regular tour takes place on Tuesdays at 6 PM. On many days, the artists themselves lead through the spaces and interact with parts of the works.

What works are on display?

Displayed are electromechanical sound machines, sculptures, photographs, prints, comic books, and parts of stage sets.

Is the exhibition suitable for children?

The exhibition is described as suitable for playful children from 0 to 99 years. Many works can be activated and tried out by visitors.

Discover Fake Noise, True Image: Sound Machines Meet Visual Art

Name: Fake Noise, True Image – Synergies in Art
Start: 2026-10-17T15:00:00+02:00
End: 2026-10-17T19:00:00+02:00
Location: Pasinger Fabrik, Galerie 1

When Machines Become Sound Sculptures

The exhibition Fake Noise, True Image – Synergies in Art transforms the Pasinger Fabrik into a sensory laboratory between visual art, music, theater, and technology. On October 17, 2026, visitors will experience electromechanical sound artworks, photographs, prints, comic books, and parts of stage sets in an exhibition that invites active engagement with the works.

Sound Machines Between Sculpture and Performance

At the center are the quirky automatons of the Munich artist duo Portmanteau, consisting of Gerald Greulix Schrank and Christian Taison Heiß. The artists combine found, recycled, and historical materials with mechanics, sound, and theatrical staging. This creates sculptures that can not only be observed but also activated by buttons, cranks, and coin slots.

Humor, Movement, and Aesthetic Experience

Sittichquirl, Alpinium, Strippenzieher, and Singvase open a surprising course through the exhibition. A coin slot makes chairs dance, lets a flock of sheep sound, or sets the Singvase in motion. The so-called Grobian even reacts with a direct insult. Between absurd humor and precise construction, a lively exhibition atmosphere develops, in which sound, material, and spatial effect are inextricably linked.

Portmanteau and the Art of Synergy

Portmanteau has been working for more than twenty years at the intersection of band projects, recording studios, stage technology, and visual art. The Süddeutsche Zeitung referred to the duo as the Tinguelys of theater - an art-historical classification that points to the closeness to kinetic art, object art, and playful mechanics. At the same time, the exhibition remains independent: its works combine technical tinkering with musical composition, wit, and performative audience involvement.

Photography, Print Graphics, and Spatial Perception

The exhibition concept expands the sound machines with contributions from Martin Dessecker, Petr Mayr, Willi Haas, and Dr. Leonhard Scheck. Transparencies, vision aids, screen prints, etchings, expansive installations, and photographic works shift the boundaries between reality, depiction, and perception. Thus, a multifaceted presentation emerges, in which optical irritation, acoustic surprise, and cultural education reinforce each other.

A Place with Industrial History

A special site-specific work is created for the Pasinger Fabrik from hand-cranked bread slicing machines. The motif refers to the history of the building: From 1912 to 1982, it housed the headquarters of Ritterwerke, where household appliances were produced. The historical connection between industry, utility, and art thus becomes a component of the curation.

Guided Tours and Immediate Encounters

On selected days, the artists will guide visitors through the spaces and interact with parts of the works. A regular tour takes place on Tuesdays at 6 PM. The exhibition is aimed at playful children aged 0 to 99 years, making it suitable for curious adults, families, and anyone who wants to experience art not just visually, but through its functionality.

Conclusion: Fake Noise, True Image promises an unusual art experience full of mechanical movement, musical surprises, and visual irritations. Anyone wishing to experience kinetic art, installation, sound art, and humorous theatrical aesthetics directly should visit the exhibition at the Pasinger Fabrik and give the automatons a voice of their own.