When is the exhibition Fake Noise, True Image open?

The exhibition is open from October 9, 2026, to March 14, 2027. Tuesday to Saturday it is accessible from 3 p.m. to 7 p.m., Sundays from 2 p.m. to 6 p.m.

What is the admission fee?

The regular admission fee is 8 euros. The reduced admission fee is 5 euros.

Are there guided tours of the exhibition?

Yes, guided tours take place on Tuesdays at 6 p.m. on selected dates. The mentioned dates include October 13, October 27, November 10, November 24, December 8, 2026, as well as January 12, January 26, February 16, and March 2, 2027.

Which artists are involved?

At the center is the Munich artist duo Portmanteau with Gerald Greulix Schrank and Christian Taison Heiß. Also involved are Martin Dessecker, Petr Mayr, Willi Haas, and Dr. Leonhard Scheck.

Is there an accompanying program?

Yes, the exhibition includes musical performances by Loopin’ Lab on November 6, TiDCDTrA on November 14, and Mycrotom on November 27, 2026.

Where is the exhibition taking place?

The exhibition takes place in the Pasinger Fabrik, Gallery 1, at August-Exter-Straße 1, 81245 Munich.

Discover sound machines and kinetic art in Munich's Pasinger Fabrik

Name: Fake Noise, True Image – Synergies in Art
Start: 2026-10-20T15:00:00+02:00
End: 2027-03-14T18:00:00+01:00
Location: Pasinger Fabrik, Galerie 1

Sound machines, sculptures and images: A sensual art experience in the Pasinger Fabrik

The exhibition Fake Noise, True Image – Synergies in Art transforms the Pasinger Fabrik into a poetically quirky resonance space. Visitors encounter electromechanical sound artworks by the Munich artist duo Portmanteau as well as photographs, print graphics, cardboard comics, and parts of stage sets. The viewing of the works becomes an aesthetic experience: Here, one is not only allowed to observe but also to experiment, turn, and listen.

When machines become artists

At the center are the musical sculptures of Gerald Greulix Schrank and Christian Taison Heiß, who have been working together as Portmanteau for more than twenty years. From old, found, and recycled materials, peculiar automats arise that blend installation, sound art, theater, and object art. The works Sittichquirl, Alpinium, Strippenzieher, and Singvase combine mechanics, movement, and sound into a humorous art direction beyond classic genre boundaries.

A coin sets the works in motion: Chairs begin to tap dance, a flock of sheep sounds, or a singing vase develops its own musical character. The exhibition atmosphere thrives on the interplay of noise, movement, material, and surprise. The Süddeutsche Zeitung referred to Portmanteau as the Tinguelys of the theater, thus pointing out the proximity to Jean Tinguely's kinetic machine art.

Synergies between sound, image, and space

The exhibition expands the Portmanteau cosmos to include works by friendly artists. Martin Dessecker is represented with his transparencies and visual aids. Print specialist Petr Mayr shows silkscreens, etchings, and space-consuming installations. Willi Haas brings photographic perspectives that shift familiar orders from above and below. Astrophysicist Dr. Leonhard Scheck deals with unusual cuts through spacetime in his photographs.

Thus, a showcase is created in which painting, photography, print graphics, sculpture, installation, music, and theater art interlock. The curation does not rely solely on silent contemplation, but on participation and cultural education. The audience experiences how poetic image and sound spaces arise from technical devices.

A place with industrial memory

The Pasinger Fabrik is more than just an exhibition address. The cultural center is located at the historical site of the former headquarters of Ritterwerke, where household appliances were produced from 1912 to 1982. This industrial prehistory resonates immediately in a work developed specifically for the location from hand-cranked meat slicers.

The work transforms a familiar household appliance into an unusual sound object. Those who turn the crank and insert a coin experience how usage history, mechanics, and sound converge into a performative installation. The exhibition thus appeals to playful children from 0 to 99 years old and simultaneously opens an art-historically exciting view of object art, kinetic art, and experimental music.

Guided tours and musical accompanying program

On many exhibition days, the artists themselves are present on-site, guiding through the rooms and interacting with parts of the works. Guided tours occur on Tuesdays at 6 p.m. on selected dates. Additional music performances by Loopin' Lab, TiDCDTrA, and Mycrotom deepen the connection between exhibition, sound art, and live performance.

The exhibition is on view from October 9, 2026, to March 14, 2027. It is open Tuesday to Saturday from 3 p.m. to 7 p.m. and Sunday from 2 p.m. to 6 p.m. Admission costs 8 euros, reduced 5 euros. The exhibition will be closed from December 23, 2026, to January 1, 2027.

Conclusion: Art to Hear, Touch, and Marvel

Fake Noise, True Image – Synergies in Art promises an unusual art experience full of mechanical poetry, surprising sounds, and visual discoveries. The exhibition makes aesthetic experience immediately tangible and shows how independent art arises from recycling materials, technology, and playfulness. Anyone who wants to experience art not just visually but through its spatial effect, sound, and movement should definitely visit the Pasinger Fabrik live.