Faith Love Robot at Munich Volkstheater: Horváth's Future as a Gripping Stage Experience


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When Horváth Meets the Future: "Faith Love Robot" at the Munich Volkstheater
With Faith Love Robot, the Munich Volkstheater presents a world premiere that tilts Ödön von Horváth's folk play into an undefined future. Bonn Park connects the existential need of his original work with questions about AI, the climate crisis, and the desire for comfort – a stage experience between laboratory light, dystopia, and hope. The premiere takes place on June 14, 2026 at 7:30 PM on Stage 1; the performance lasts 2 hours without a break. ([muenchner-volkstheater.de](https://www.muenchner-volkstheater.de/programm/schauspiel/glaube-liebe-roboter))
Between Anatomy, Nightmare, and Departure
Horváth's Elisabeth stands at the beginning of a system that wears her out. Bonn Park starts exactly there and lets her rise again as a robot. The result is not a cold technical tableau but a theatrical experiment: an anatomical institute as a thinking space, where survival, responsibility, and longing compete with each other. The production uses the laboratory atmosphere to reflect the present with its crisis images. ([muenchner-volkstheater.de](https://www.muenchner-volkstheater.de/programm/schauspiel/glaube-liebe-roboter))
Dramaturgy with Sharpness and Empathy
The play development freely draws from Ödön von Horváth and Lukas Kristl without losing its core: social pressure, helplessness, and failure in a rigid order. Bonn Park, who also directs, shifts the focus toward future thinking and questions a third way between faith in progress and tales of doom. This is where the dramatic tension of the evening lies: The stage becomes a place where hope does not seem naive but is hard-won. Press reviews describe the evening as “vivid” and simultaneously as a “gentle embrace.” ([muenchner-volkstheater.de](https://www.muenchner-volkstheater.de/programm/schauspiel/glaube-liebe-roboter))
An Ensemble in the Tension Between Human and Machine
On stage are Steffen Link, Lorenz Hochhuth, Dagobert Jäger, Henriette Nagel, Max Poerting, Liv Stapelfeldt, and Genet Zegay among others. The set design is by Daniela Zorrozua, the costumes by Laura Kirst, and the lighting design by David Jäkel. Together, they create a visual language that seeks not superficial effects but atmospheric precision: cool lighting, concentrated movements, a space where every sentence resonates. The Munich Volkstheater thus demonstrates its strength as a house for contemporary spoken theater aesthetics. ([muenchner-volkstheater.de](https://www.muenchner-volkstheater.de/programm/schauspiel/glaube-liebe-roboter))
The Audience Experiences Present-Day Theater with Resonance
Those who attend this evening encounter a theater that does not gloss over the horrors of the present but translates them into poetic form. This is exactly what the critics have already highlighted: The production works with comfort without becoming harmless and with seriousness without tipping into heaviness. For culture enthusiasts who appreciate precise acting, intelligent directing, and a strong stage idea, this date is a must in the Munich theater calendar. ([muenchner-volkstheater.de](https://www.muenchner-volkstheater.de/programm/schauspiel/glaube-liebe-roboter))
Conclusion: Faith Love Robot promises an evening between Horváth, present diagnosis, and science-fiction feeling. The Munich Volkstheater opens a clever, visually strong theatrical space where humanity under pressure becomes visible. Anyone wanting to experience contemporary theater with depth should see this performance live. ([muenchner-volkstheater.de](https://www.muenchner-volkstheater.de/programm/schauspiel/glaube-liebe-roboter))
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