München
Falkenturmstraße 8, 80331 München, Deutschland
HOFSPIELHAUS | Schedule & Tickets in Munich
The HOFSPIELHAUS is one of those theaters that you not only visit but experience. Located at Falkenturmstraße 8, it lies in the heart of Munich's old town, very close to Platzl, Maximilianstraße, the State Opera, Marienplatz, and Odeonsplatz. At the same time, the house feels calm, personal, and almost hidden, as it consciously opts for intimacy over size with its small, fine structure. This combination of a central location, artistic independence, and flexible use has made the HOFSPIELHAUS a special place for theater, music, readings, comedy, family formats, and private events since its opening in 2015. Therefore, when searching for the HOFSPIELHAUS Munich, one is not just looking for an address but a vibrant cultural house with its own signature. Visitors will find a program that ranges between subtle comedy, musical theater, popular classics, and new original productions. Additionally, practical advantages such as clear booking pathways, a straightforward seating structure, a barrier-free accessible courtyard area, and rooms that can be used for seminars, celebrations, presentations, or workshops come into play. The house is also more than just a stage in culinary terms: a snack platter is offered in the schedule, and for special occasions, there are arrangement models with menu and show. Thus, the HOFSPIELHAUS serves as both a theater address and an event location while always remaining recognizable as a place of art and encounter.
Schedule, today's and upcoming events at the HOFSPIELHAUS
The schedule is one of the strongest search triggers related to the HOFSPIELHAUS, which is why it is central to SEO planning. Those searching for Hofspielhaus program, Hofspielhaus schedule, Hofspielhaus today, or Hofspielhaus upcoming events usually want to quickly know what is currently on stage and which dates are bookable next. On the official schedule page, the house clearly shows its mix of theater, musical theater, comedy, and special formats. For May 2026, among others, Schrecklich amüsant – aber in Zukunft ohne mich, Lady Hotdog, Giesing Mountain, Der Kleine Prinz, Beatles on Board, and Kaltgestellt can be seen. This selection already shows how broad the house's offerings are: there are literary pieces, playful family formats, musical theater, and comedic original productions side by side. This is typical for the HOFSPIELHAUS, as the program is not reduced to a single genre but consciously addresses changing audience expectations. It is also particularly important that the schedule does not appear static but is continuously updated. This allows both individual dates and recurring series and alternative performance venues such as theater, loft, or open-air formats in the courtyard to be recognized. For visitors, this means: those interested in Hofspielhaus Munich today should always check the current date page, as sold-out status, remaining tickets, and additional dates are clearly displayed. This is also helpful because demand for popular productions can be high. The schedule logic not only advertises the program but also assists in concrete visit planning. Additionally, the house generally opens one hour before the performance begins. This allows enough time for arrival, drinks, orientation, and a relaxed preparation for the evening. The HOFSPIELHAUS thus creates a very clear connection between search intention and user experience: those searching for a program not only receive dates but also a good sense of the range and atmosphere of the house.
The current schedule also shows that the HOFSPIELHAUS does not simply place individual titles side by side but develops a recognizable repertoire. Der Kleine Prinz runs as an original production with Michael A. Grimm and Isabel Kott and is scheduled for several dates between January and May 2026. Lady Hotdog is positioned as a musical for the whole family and additionally brings a social aspect, as one euro from each ticket sold goes to the Munich animal shelter. Giesing Mountain connects theater with film and anchors the piece in a Munich district, while Kaltgestellt is listed as a comedy by Michele Lowe, thus strengthening the comedic profile of the house. Beatles on Board complements the musical component, and Schrecklich amüsant – aber in Zukunft ohne mich shows that even literary-humorous materials have a place in the schedule. For the search engine and for people on the website, this variety is valuable because it makes it clear that the house does not just offer a single piece or a temporary action but a whole season with a recognizable profile. This also leads to many long-tail searches such as Hofspielhaus der kleine Prinz, Hofspielhaus Loriot, or Hofspielhaus Lady Hotdog. Therefore, those interested in the program often search very concretely for titles. The HOFSPIELHAUS caters well to these search patterns because the website closely links the piece pages, date overviews, and ticket access. This transforms the schedule from a mere calendar into the actual entry point into the experience of the house.
Tickets, Ticket Sales, and Box Office at the HOFSPIELHAUS
The keyword field around Hofspielhaus tickets is particularly important for user intention, as many people first ask about booking, price, and pickup after looking at the program. The HOFSPIELHAUS offers several ways to do this, and this variety should remain visible in content and metadata. Tickets can be directly reserved through the schedule, via email at karten@hofspielhaus.de, by phone at 089 / 24 20 93 33, at the music store Zauberflöte next door, during office hours at the theater, or through Munich Ticket. For spontaneous guests, there are remaining tickets at the box office, if still available. The clear rule also applies to ticket purchases: if tickets have been reserved and paid for via the homepage, they will be ready under the name at the box office. This saves unnecessary trips and fits well with the central location of the house. It is also important that tickets are generally excluded from return. If a visit is not possible, the house recommends passing the tickets on to acquaintances or contacting them if a possible rebooking is needed. The practice is thus clear and uncomplicated but not arbitrary. For visitors, the price range is also relevant: regular tickets cost about 25 to 35 euros according to ticket information, students pay 15 euros. People with disabilities receive a discount of 5 euros on the regular price, and with the Munich Pass, there is a 50 percent discount on tickets on the day of the performance. This price structure makes the house more accessible and simultaneously shows that it is a non-profit theater. Additionally, it is very useful for planning to know that the theater opens one hour before the performance begins. This allows for a calm arrival, orientation, and perhaps even a drink or snack. Timing also plays a role at entry, as the seating distribution is organized by the team once all registrations are in. There is no free seating. For many guests, this may initially feel unusual, but in practice, it ensures that groups can sit together and the existing space structure is used sensibly.
Regarding the topic of Hofspielhaus dining, the schedule is also interesting because the house is not only a stage but also a place for small culinary offerings. The schedule page mentions a snack platter for 15 euros, which is best booked in advance via email or spontaneously ordered at the bar, depending on availability. Additionally, there is an arrangement menu + show that includes theater tickets, a welcome drink, a set table in the foyer, cold dishes before the performance, and a sweet dessert during the break. This interplay of culture and culinary offerings fits very well with the atmosphere of the house and makes it attractive for guests who want to spend not just a performance but an entire evening in the house. Especially in Munich, where many theater evenings are also combined with food or a subsequent city walk, this connection between program and snack is a real plus. This is important for SEO planning because the search intentions behind tickets, dining, and schedule often overlap. Users are not only looking for a piece but for a complete evening. The HOFSPIELHAUS meets this need through clear booking pathways, a comprehensible entry process, culinary offerings, and the possibility to conveniently secure tickets in advance. This creates a search and visit experience that fits very well with the keywords tickets, program, schedule, and dining.
Address, Directions, and Parking at Falkenturmstraße
The address is one of the strongest location factors of the HOFSPIELHAUS. Falkenturmstraße 8, 80331 Munich is not just a sober data point but a clear local identity feature. The house itself describes its location as between the State Opera and Platzl, parallel to Maximilianstraße. It is also referred to as being only about 100 meters from Platzl and the elegant Maximilianstraße. This is very helpful for visitors, as the location can be immediately translated into concrete route planning. According to the official FAQ, those coming from Marienplatz need about three minutes on foot, and from Odeonsplatz a maximum of five minutes. These short distances are an essential part of the user experience because they make the house easily accessible despite its old town location. Therefore, for search queries like Hofspielhaus Munich address or Hofspielhaus Munich directions, it is important not only to mention the street but also to provide orientation in the urban environment. The proximity to central squares and the use of the subway makes the house particularly attractive for people traveling from various districts or from outside. The location is also ideal for tourists, as it is directly embedded in the historic city center and remains easily accessible without complicated routes. The Hofspielhaus is thus a prime example of a cultural address where central location, short distances, and urban environment come together.
When it comes to parking, one should realistically consider the old town location. The HOFSPIELHAUS itself does not mention any private underground parking on its official pages, so drivers should plan to use public parking in the vicinity. A very close option is the parking garage at Marienplatz. According to the entry there, it has 265 spaces, an entrance height of 1.80 meters, an entrance width of 2.30 meters, and operates 24 hours. It is very centrally located in the old town, about 150 meters from Marienplatz, making it a practical orientation for visits to the HOFSPIELHAUS. At the same time, in an old town location like this, one can expect tight space and often high occupancy, so a buffer is advisable. For SEO, this information is particularly valuable because many visitors search for parking, address, and directions before booking. Those attending an evening event want to know if they can arrive comfortably, how far the walk is, and if there is a nearby parking option. The combination of proximity to Marienplatz and Odeonsplatz, central location in the old town, and a realistically reachable parking garage in the vicinity meets these search needs very well. Additionally, the location is equally pleasant for taxi users and public transport passengers, as the city center functions as a transport hub. The HOFSPIELHAUS benefits greatly from its location, as a performance does not begin somewhere on the outskirts of the city but right in the cultural center of Munich. This makes the location attractive for both visitors and organizers.
Seating Plan, Categories, and Accessibility
A particularly frequently searched topic related to the HOFSPIELHAUS is the seating plan. This is logical, as smaller theaters with fixed room structures often raise questions about visibility, the best seats, and the division into categories. The website of the HOFSPIELHAUS answers this very transparently: for theater performances, there are category A and category B. Category A usually includes rows 1 to 4 and the elevated seats at the back. Category B starts from row 5 and also includes those seats with a side view of the stage from row 3. This clear description is helpful for visitor planning, as it provides a rough orientation before purchase regarding where the best sightlines are located. At the same time, the house emphasizes that the seating arrangement can only be made once all individuals and groups have registered. There is generally no free seating. This may sound strict at first, but in a small theater, it is practically sensible, as groups can sit together and the space can be optimally utilized. This is a real advantage, especially for families, friend groups, or corporate bookings. Those who prefer a specific seating area can secure a preferred seat through a theater chair sponsorship. This is also an unusual but very theater-related model that connects loyalty and support of the house with a concrete benefit.
In connection with the search for seats, accessibility is also important. The HOFSPIELHAUS describes this very openly and differentiated. The courtyard is accessible at ground level and barrier-free. The theater room is located in the basement and is additionally accessible via a small elevator. However, this lift is small and not normatively barrier-free; the loft is only accessible via stairs, and the toilets are unfortunately not barrier-free. For people who rely on limited accessibility, this transparency is particularly important, as they can reliably plan before their visit. This information should not be sugar-coated in the content but clearly and respectfully formulated. Because real users are not looking for advertising slogans but for reliable facts. At the same time, the courtyard as a ground-level area shows that the house is at least partially well accessible. The combination of seating categories, team organization, and differentiated accessibility information fits very well with search queries like seating plan, best seats, or barrier-free. It makes it clear that the HOFSPIELHAUS is a well-organized but spatially compact theater where visitor guidance is deliberately structured. This provides orientation and at the same time creates a personal, almost familial visit feeling.
Rooms, Capacity, and Equipment in the House
The HOFSPIELHAUS is significantly more than a single audience room. This is where a large part of its quality as a location lies. According to the official descriptions, five rooms are available, which can be used differently depending on the occasion. On the ground floor, there are two large bright reception and meeting rooms of 25 and 30 square meters, each with two glass fronts. Both entrances lead to the charming, secluded courtyard of 30 square meters. In the basement is the large theater room with 80 square meters, flexible stage platforms, and a nice bar. On the first floor is the bright loft or studio with 68 square meters, overlooking the courtyard and the quiet Falkenturmstraße. Additionally, there is a preparation kitchen, dressing rooms for artists, ladies' and men's toilets, and a storage room. All rooms can be furnished or used empty. This setup is very flexible for seminars, conferences, photo shoots, workshops, customer invitations, Christmas parties, or small presentations. The room capacities are also clearly indicated: the theater offers seating for up to 70 and standing for up to 90 people. Foyer I accommodates seating for up to 25 and standing for up to 30 people. The loft offers seating for up to 60 and standing for up to 80 people. Foyer II is designed for seating for up to 20 and standing for up to 25 people. The courtyard allows seating for up to 40 and standing for up to 50 people. For a compact house in a central old town location, this is remarkably flexible. This also explains why the HOFSPIELHAUS functions both as a theater and as an event location.
According to the factsheets and seminar page, the equipment includes, among other things, a screen, projector, partition walls, moderation walls, flipchart, moderation case, sound and lighting system, chairs, benches, tables, platforms, coffee machine, and kitchen. This is particularly interesting for organizers, as it makes not only cultural evenings but also business formats and private celebrations realistically planable. The room logic is very well thought out. The courtyard can serve as a lounge area, the loft is well suited for seminars and conferences, the theater for stage formats and presentations, and the foyers take on reception, conversation, catering, or break functions. This multifacetedness is a significant unique selling point of the location. It makes the house relevant for search queries regarding capacity, hall plan, equipment, and rental. It is also important that the HOFSPIELHAUS operates as a non-profit GmbH and that the proceeds from events benefit the theater. For companies and private individuals, this can be an additional motivating factor, as renting not only books a room but also supports art and operations. The location is also prepared for culinary offerings: in the seminar and event context, coffee, tea, soft drinks, water, croissants, pretzels, fruit, sandwiches, cakes, or lunch can be organized. This turns a simple room inquiry into a comprehensive event concept. The spatial and technical flexibility is therefore not a minor detail but a core component of the positioning of the HOFSPIELHAUS in Munich.
Der Kleine Prinz, Lady Hotdog, Kaltgestellt, and Loriot: the artistic profile
Those searching for the HOFSPIELHAUS often look not just for an address but for a specific type of theater experience. That is why original productions and recurring pieces play a central role in the content strategy. Der Kleine Prinz is an original production with Michael A. Grimm and Isabel Kott. The official page describes the piece as an encounter and lists several dates for 2026, which shows that the house works with recurring performances. Lady Hotdog is a musical for the whole family by Thomas Erich Killinger. The production started on 10.03.2026 and is positioned as a humorous, musical evening for a broader audience. Particularly noteworthy is the social addition: one euro from each ticket sold goes to the Munich animal shelter. The piece thus combines entertainment, family appeal, and social engagement. Kaltgestellt is anchored in the schedule as a comedy by Michele Lowe and adds a modern, accessible comedic color to the profile. Giesing Mountain, in turn, carries the Munich district in its title, works with film and theater, and already refers to local anchoring and exploration in its name. This mixture of literary source, family musical, contemporary comedy, and locally inspired theater shows very well what the HOFSPIELHAUS stands for: not for a rigid genre but for an open, lively, and audience-friendly schedule.
Loriot is also firmly part of the house's image. On the official page, Loriot's dramatic works are listed as comedic original productions, featuring Marina Granchette, Christoph Theussl, and Leon Sandner. The productions have run or are running in different seasons and also as an open-air variant in the courtyard, with a switch to the theater room in case of bad weather. This is a good example of how the HOFSPIELHAUS works with its spaces and translates seasonal flexibility into artistic form. For search queries like Hofspielhaus Loriot, this is particularly relevant, as Loriot as a brand stands for subtle humor and classic German comedy. The house connects to this and simultaneously shows that its repertoire is maintained even in current seasons. For users, it is important that these pieces do not appear as random mentions but as recognizable program components of a house with a profile. This fits with the statement that the HOFSPIELHAUS is a place of theater, art, and encounter in the heart of Munich. This formulation precisely describes what visitors can expect on-site: an intimate stage, a personal team, changing formats, and a closeness to the audience that is often not found in larger houses. The connection of dining, conversation, and performance is also part of this profile. The house invites not only to a production but to an entire evening with atmosphere. That is why keywords like Hofspielhaus art, Hofspielhaus program, and Hofspielhaus dining work so well together. They point to a theater that is thought out in terms of content, space, and organization beyond just the performance time.
In summary, the HOFSPIELHAUS is a versatile, centrally located, and clearly positioned theater house in Munich that is interesting for both cultural audiences and organizers, groups, and companies. The schedule covers a wide spectrum, the ticket logic is transparent, the address is immediately understandable, and the room structure offers real flexibility. The house is particularly strong where proximity, personality, and urban location come together. That is why the HOFSPIELHAUS remains a strong name for search queries related to program, tickets, seating plan, directions, parking, events, and special theater evenings in Munich.
Sources:
- Hofspielhaus Munich - Schedule
- Hofspielhaus Munich - FAQ about the Hofspielhaus
- Hofspielhaus Munich - Seminar, Rooms, and Equipment
- Hofspielhaus Munich - Tickets
- Hofspielhaus Munich - Der Kleine Prinz
- Hofspielhaus Munich - Lady Hotdog
- Hofspielhaus Munich - Loriot's Dramatic Works
- Hofspielhaus Munich - Kaltgestellt
- Hofspielhaus Munich - Giesing Mountain
- mux.de - Parking Garage at Marienplatz (07)
Show moreShow less
HOFSPIELHAUS | Schedule & Tickets in Munich
The HOFSPIELHAUS is one of those theaters that you not only visit but experience. Located at Falkenturmstraße 8, it lies in the heart of Munich's old town, very close to Platzl, Maximilianstraße, the State Opera, Marienplatz, and Odeonsplatz. At the same time, the house feels calm, personal, and almost hidden, as it consciously opts for intimacy over size with its small, fine structure. This combination of a central location, artistic independence, and flexible use has made the HOFSPIELHAUS a special place for theater, music, readings, comedy, family formats, and private events since its opening in 2015. Therefore, when searching for the HOFSPIELHAUS Munich, one is not just looking for an address but a vibrant cultural house with its own signature. Visitors will find a program that ranges between subtle comedy, musical theater, popular classics, and new original productions. Additionally, practical advantages such as clear booking pathways, a straightforward seating structure, a barrier-free accessible courtyard area, and rooms that can be used for seminars, celebrations, presentations, or workshops come into play. The house is also more than just a stage in culinary terms: a snack platter is offered in the schedule, and for special occasions, there are arrangement models with menu and show. Thus, the HOFSPIELHAUS serves as both a theater address and an event location while always remaining recognizable as a place of art and encounter.
Schedule, today's and upcoming events at the HOFSPIELHAUS
The schedule is one of the strongest search triggers related to the HOFSPIELHAUS, which is why it is central to SEO planning. Those searching for Hofspielhaus program, Hofspielhaus schedule, Hofspielhaus today, or Hofspielhaus upcoming events usually want to quickly know what is currently on stage and which dates are bookable next. On the official schedule page, the house clearly shows its mix of theater, musical theater, comedy, and special formats. For May 2026, among others, Schrecklich amüsant – aber in Zukunft ohne mich, Lady Hotdog, Giesing Mountain, Der Kleine Prinz, Beatles on Board, and Kaltgestellt can be seen. This selection already shows how broad the house's offerings are: there are literary pieces, playful family formats, musical theater, and comedic original productions side by side. This is typical for the HOFSPIELHAUS, as the program is not reduced to a single genre but consciously addresses changing audience expectations. It is also particularly important that the schedule does not appear static but is continuously updated. This allows both individual dates and recurring series and alternative performance venues such as theater, loft, or open-air formats in the courtyard to be recognized. For visitors, this means: those interested in Hofspielhaus Munich today should always check the current date page, as sold-out status, remaining tickets, and additional dates are clearly displayed. This is also helpful because demand for popular productions can be high. The schedule logic not only advertises the program but also assists in concrete visit planning. Additionally, the house generally opens one hour before the performance begins. This allows enough time for arrival, drinks, orientation, and a relaxed preparation for the evening. The HOFSPIELHAUS thus creates a very clear connection between search intention and user experience: those searching for a program not only receive dates but also a good sense of the range and atmosphere of the house.
The current schedule also shows that the HOFSPIELHAUS does not simply place individual titles side by side but develops a recognizable repertoire. Der Kleine Prinz runs as an original production with Michael A. Grimm and Isabel Kott and is scheduled for several dates between January and May 2026. Lady Hotdog is positioned as a musical for the whole family and additionally brings a social aspect, as one euro from each ticket sold goes to the Munich animal shelter. Giesing Mountain connects theater with film and anchors the piece in a Munich district, while Kaltgestellt is listed as a comedy by Michele Lowe, thus strengthening the comedic profile of the house. Beatles on Board complements the musical component, and Schrecklich amüsant – aber in Zukunft ohne mich shows that even literary-humorous materials have a place in the schedule. For the search engine and for people on the website, this variety is valuable because it makes it clear that the house does not just offer a single piece or a temporary action but a whole season with a recognizable profile. This also leads to many long-tail searches such as Hofspielhaus der kleine Prinz, Hofspielhaus Loriot, or Hofspielhaus Lady Hotdog. Therefore, those interested in the program often search very concretely for titles. The HOFSPIELHAUS caters well to these search patterns because the website closely links the piece pages, date overviews, and ticket access. This transforms the schedule from a mere calendar into the actual entry point into the experience of the house.
Tickets, Ticket Sales, and Box Office at the HOFSPIELHAUS
The keyword field around Hofspielhaus tickets is particularly important for user intention, as many people first ask about booking, price, and pickup after looking at the program. The HOFSPIELHAUS offers several ways to do this, and this variety should remain visible in content and metadata. Tickets can be directly reserved through the schedule, via email at karten@hofspielhaus.de, by phone at 089 / 24 20 93 33, at the music store Zauberflöte next door, during office hours at the theater, or through Munich Ticket. For spontaneous guests, there are remaining tickets at the box office, if still available. The clear rule also applies to ticket purchases: if tickets have been reserved and paid for via the homepage, they will be ready under the name at the box office. This saves unnecessary trips and fits well with the central location of the house. It is also important that tickets are generally excluded from return. If a visit is not possible, the house recommends passing the tickets on to acquaintances or contacting them if a possible rebooking is needed. The practice is thus clear and uncomplicated but not arbitrary. For visitors, the price range is also relevant: regular tickets cost about 25 to 35 euros according to ticket information, students pay 15 euros. People with disabilities receive a discount of 5 euros on the regular price, and with the Munich Pass, there is a 50 percent discount on tickets on the day of the performance. This price structure makes the house more accessible and simultaneously shows that it is a non-profit theater. Additionally, it is very useful for planning to know that the theater opens one hour before the performance begins. This allows for a calm arrival, orientation, and perhaps even a drink or snack. Timing also plays a role at entry, as the seating distribution is organized by the team once all registrations are in. There is no free seating. For many guests, this may initially feel unusual, but in practice, it ensures that groups can sit together and the existing space structure is used sensibly.
Regarding the topic of Hofspielhaus dining, the schedule is also interesting because the house is not only a stage but also a place for small culinary offerings. The schedule page mentions a snack platter for 15 euros, which is best booked in advance via email or spontaneously ordered at the bar, depending on availability. Additionally, there is an arrangement menu + show that includes theater tickets, a welcome drink, a set table in the foyer, cold dishes before the performance, and a sweet dessert during the break. This interplay of culture and culinary offerings fits very well with the atmosphere of the house and makes it attractive for guests who want to spend not just a performance but an entire evening in the house. Especially in Munich, where many theater evenings are also combined with food or a subsequent city walk, this connection between program and snack is a real plus. This is important for SEO planning because the search intentions behind tickets, dining, and schedule often overlap. Users are not only looking for a piece but for a complete evening. The HOFSPIELHAUS meets this need through clear booking pathways, a comprehensible entry process, culinary offerings, and the possibility to conveniently secure tickets in advance. This creates a search and visit experience that fits very well with the keywords tickets, program, schedule, and dining.
Address, Directions, and Parking at Falkenturmstraße
The address is one of the strongest location factors of the HOFSPIELHAUS. Falkenturmstraße 8, 80331 Munich is not just a sober data point but a clear local identity feature. The house itself describes its location as between the State Opera and Platzl, parallel to Maximilianstraße. It is also referred to as being only about 100 meters from Platzl and the elegant Maximilianstraße. This is very helpful for visitors, as the location can be immediately translated into concrete route planning. According to the official FAQ, those coming from Marienplatz need about three minutes on foot, and from Odeonsplatz a maximum of five minutes. These short distances are an essential part of the user experience because they make the house easily accessible despite its old town location. Therefore, for search queries like Hofspielhaus Munich address or Hofspielhaus Munich directions, it is important not only to mention the street but also to provide orientation in the urban environment. The proximity to central squares and the use of the subway makes the house particularly attractive for people traveling from various districts or from outside. The location is also ideal for tourists, as it is directly embedded in the historic city center and remains easily accessible without complicated routes. The Hofspielhaus is thus a prime example of a cultural address where central location, short distances, and urban environment come together.
When it comes to parking, one should realistically consider the old town location. The HOFSPIELHAUS itself does not mention any private underground parking on its official pages, so drivers should plan to use public parking in the vicinity. A very close option is the parking garage at Marienplatz. According to the entry there, it has 265 spaces, an entrance height of 1.80 meters, an entrance width of 2.30 meters, and operates 24 hours. It is very centrally located in the old town, about 150 meters from Marienplatz, making it a practical orientation for visits to the HOFSPIELHAUS. At the same time, in an old town location like this, one can expect tight space and often high occupancy, so a buffer is advisable. For SEO, this information is particularly valuable because many visitors search for parking, address, and directions before booking. Those attending an evening event want to know if they can arrive comfortably, how far the walk is, and if there is a nearby parking option. The combination of proximity to Marienplatz and Odeonsplatz, central location in the old town, and a realistically reachable parking garage in the vicinity meets these search needs very well. Additionally, the location is equally pleasant for taxi users and public transport passengers, as the city center functions as a transport hub. The HOFSPIELHAUS benefits greatly from its location, as a performance does not begin somewhere on the outskirts of the city but right in the cultural center of Munich. This makes the location attractive for both visitors and organizers.
Seating Plan, Categories, and Accessibility
A particularly frequently searched topic related to the HOFSPIELHAUS is the seating plan. This is logical, as smaller theaters with fixed room structures often raise questions about visibility, the best seats, and the division into categories. The website of the HOFSPIELHAUS answers this very transparently: for theater performances, there are category A and category B. Category A usually includes rows 1 to 4 and the elevated seats at the back. Category B starts from row 5 and also includes those seats with a side view of the stage from row 3. This clear description is helpful for visitor planning, as it provides a rough orientation before purchase regarding where the best sightlines are located. At the same time, the house emphasizes that the seating arrangement can only be made once all individuals and groups have registered. There is generally no free seating. This may sound strict at first, but in a small theater, it is practically sensible, as groups can sit together and the space can be optimally utilized. This is a real advantage, especially for families, friend groups, or corporate bookings. Those who prefer a specific seating area can secure a preferred seat through a theater chair sponsorship. This is also an unusual but very theater-related model that connects loyalty and support of the house with a concrete benefit.
In connection with the search for seats, accessibility is also important. The HOFSPIELHAUS describes this very openly and differentiated. The courtyard is accessible at ground level and barrier-free. The theater room is located in the basement and is additionally accessible via a small elevator. However, this lift is small and not normatively barrier-free; the loft is only accessible via stairs, and the toilets are unfortunately not barrier-free. For people who rely on limited accessibility, this transparency is particularly important, as they can reliably plan before their visit. This information should not be sugar-coated in the content but clearly and respectfully formulated. Because real users are not looking for advertising slogans but for reliable facts. At the same time, the courtyard as a ground-level area shows that the house is at least partially well accessible. The combination of seating categories, team organization, and differentiated accessibility information fits very well with search queries like seating plan, best seats, or barrier-free. It makes it clear that the HOFSPIELHAUS is a well-organized but spatially compact theater where visitor guidance is deliberately structured. This provides orientation and at the same time creates a personal, almost familial visit feeling.
Rooms, Capacity, and Equipment in the House
The HOFSPIELHAUS is significantly more than a single audience room. This is where a large part of its quality as a location lies. According to the official descriptions, five rooms are available, which can be used differently depending on the occasion. On the ground floor, there are two large bright reception and meeting rooms of 25 and 30 square meters, each with two glass fronts. Both entrances lead to the charming, secluded courtyard of 30 square meters. In the basement is the large theater room with 80 square meters, flexible stage platforms, and a nice bar. On the first floor is the bright loft or studio with 68 square meters, overlooking the courtyard and the quiet Falkenturmstraße. Additionally, there is a preparation kitchen, dressing rooms for artists, ladies' and men's toilets, and a storage room. All rooms can be furnished or used empty. This setup is very flexible for seminars, conferences, photo shoots, workshops, customer invitations, Christmas parties, or small presentations. The room capacities are also clearly indicated: the theater offers seating for up to 70 and standing for up to 90 people. Foyer I accommodates seating for up to 25 and standing for up to 30 people. The loft offers seating for up to 60 and standing for up to 80 people. Foyer II is designed for seating for up to 20 and standing for up to 25 people. The courtyard allows seating for up to 40 and standing for up to 50 people. For a compact house in a central old town location, this is remarkably flexible. This also explains why the HOFSPIELHAUS functions both as a theater and as an event location.
According to the factsheets and seminar page, the equipment includes, among other things, a screen, projector, partition walls, moderation walls, flipchart, moderation case, sound and lighting system, chairs, benches, tables, platforms, coffee machine, and kitchen. This is particularly interesting for organizers, as it makes not only cultural evenings but also business formats and private celebrations realistically planable. The room logic is very well thought out. The courtyard can serve as a lounge area, the loft is well suited for seminars and conferences, the theater for stage formats and presentations, and the foyers take on reception, conversation, catering, or break functions. This multifacetedness is a significant unique selling point of the location. It makes the house relevant for search queries regarding capacity, hall plan, equipment, and rental. It is also important that the HOFSPIELHAUS operates as a non-profit GmbH and that the proceeds from events benefit the theater. For companies and private individuals, this can be an additional motivating factor, as renting not only books a room but also supports art and operations. The location is also prepared for culinary offerings: in the seminar and event context, coffee, tea, soft drinks, water, croissants, pretzels, fruit, sandwiches, cakes, or lunch can be organized. This turns a simple room inquiry into a comprehensive event concept. The spatial and technical flexibility is therefore not a minor detail but a core component of the positioning of the HOFSPIELHAUS in Munich.
Der Kleine Prinz, Lady Hotdog, Kaltgestellt, and Loriot: the artistic profile
Those searching for the HOFSPIELHAUS often look not just for an address but for a specific type of theater experience. That is why original productions and recurring pieces play a central role in the content strategy. Der Kleine Prinz is an original production with Michael A. Grimm and Isabel Kott. The official page describes the piece as an encounter and lists several dates for 2026, which shows that the house works with recurring performances. Lady Hotdog is a musical for the whole family by Thomas Erich Killinger. The production started on 10.03.2026 and is positioned as a humorous, musical evening for a broader audience. Particularly noteworthy is the social addition: one euro from each ticket sold goes to the Munich animal shelter. The piece thus combines entertainment, family appeal, and social engagement. Kaltgestellt is anchored in the schedule as a comedy by Michele Lowe and adds a modern, accessible comedic color to the profile. Giesing Mountain, in turn, carries the Munich district in its title, works with film and theater, and already refers to local anchoring and exploration in its name. This mixture of literary source, family musical, contemporary comedy, and locally inspired theater shows very well what the HOFSPIELHAUS stands for: not for a rigid genre but for an open, lively, and audience-friendly schedule.
Loriot is also firmly part of the house's image. On the official page, Loriot's dramatic works are listed as comedic original productions, featuring Marina Granchette, Christoph Theussl, and Leon Sandner. The productions have run or are running in different seasons and also as an open-air variant in the courtyard, with a switch to the theater room in case of bad weather. This is a good example of how the HOFSPIELHAUS works with its spaces and translates seasonal flexibility into artistic form. For search queries like Hofspielhaus Loriot, this is particularly relevant, as Loriot as a brand stands for subtle humor and classic German comedy. The house connects to this and simultaneously shows that its repertoire is maintained even in current seasons. For users, it is important that these pieces do not appear as random mentions but as recognizable program components of a house with a profile. This fits with the statement that the HOFSPIELHAUS is a place of theater, art, and encounter in the heart of Munich. This formulation precisely describes what visitors can expect on-site: an intimate stage, a personal team, changing formats, and a closeness to the audience that is often not found in larger houses. The connection of dining, conversation, and performance is also part of this profile. The house invites not only to a production but to an entire evening with atmosphere. That is why keywords like Hofspielhaus art, Hofspielhaus program, and Hofspielhaus dining work so well together. They point to a theater that is thought out in terms of content, space, and organization beyond just the performance time.
In summary, the HOFSPIELHAUS is a versatile, centrally located, and clearly positioned theater house in Munich that is interesting for both cultural audiences and organizers, groups, and companies. The schedule covers a wide spectrum, the ticket logic is transparent, the address is immediately understandable, and the room structure offers real flexibility. The house is particularly strong where proximity, personality, and urban location come together. That is why the HOFSPIELHAUS remains a strong name for search queries related to program, tickets, seating plan, directions, parking, events, and special theater evenings in Munich.
Sources:
- Hofspielhaus Munich - Schedule
- Hofspielhaus Munich - FAQ about the Hofspielhaus
- Hofspielhaus Munich - Seminar, Rooms, and Equipment
- Hofspielhaus Munich - Tickets
- Hofspielhaus Munich - Der Kleine Prinz
- Hofspielhaus Munich - Lady Hotdog
- Hofspielhaus Munich - Loriot's Dramatic Works
- Hofspielhaus Munich - Kaltgestellt
- Hofspielhaus Munich - Giesing Mountain
- mux.de - Parking Garage at Marienplatz (07)
HOFSPIELHAUS | Schedule & Tickets in Munich
The HOFSPIELHAUS is one of those theaters that you not only visit but experience. Located at Falkenturmstraße 8, it lies in the heart of Munich's old town, very close to Platzl, Maximilianstraße, the State Opera, Marienplatz, and Odeonsplatz. At the same time, the house feels calm, personal, and almost hidden, as it consciously opts for intimacy over size with its small, fine structure. This combination of a central location, artistic independence, and flexible use has made the HOFSPIELHAUS a special place for theater, music, readings, comedy, family formats, and private events since its opening in 2015. Therefore, when searching for the HOFSPIELHAUS Munich, one is not just looking for an address but a vibrant cultural house with its own signature. Visitors will find a program that ranges between subtle comedy, musical theater, popular classics, and new original productions. Additionally, practical advantages such as clear booking pathways, a straightforward seating structure, a barrier-free accessible courtyard area, and rooms that can be used for seminars, celebrations, presentations, or workshops come into play. The house is also more than just a stage in culinary terms: a snack platter is offered in the schedule, and for special occasions, there are arrangement models with menu and show. Thus, the HOFSPIELHAUS serves as both a theater address and an event location while always remaining recognizable as a place of art and encounter.
Schedule, today's and upcoming events at the HOFSPIELHAUS
The schedule is one of the strongest search triggers related to the HOFSPIELHAUS, which is why it is central to SEO planning. Those searching for Hofspielhaus program, Hofspielhaus schedule, Hofspielhaus today, or Hofspielhaus upcoming events usually want to quickly know what is currently on stage and which dates are bookable next. On the official schedule page, the house clearly shows its mix of theater, musical theater, comedy, and special formats. For May 2026, among others, Schrecklich amüsant – aber in Zukunft ohne mich, Lady Hotdog, Giesing Mountain, Der Kleine Prinz, Beatles on Board, and Kaltgestellt can be seen. This selection already shows how broad the house's offerings are: there are literary pieces, playful family formats, musical theater, and comedic original productions side by side. This is typical for the HOFSPIELHAUS, as the program is not reduced to a single genre but consciously addresses changing audience expectations. It is also particularly important that the schedule does not appear static but is continuously updated. This allows both individual dates and recurring series and alternative performance venues such as theater, loft, or open-air formats in the courtyard to be recognized. For visitors, this means: those interested in Hofspielhaus Munich today should always check the current date page, as sold-out status, remaining tickets, and additional dates are clearly displayed. This is also helpful because demand for popular productions can be high. The schedule logic not only advertises the program but also assists in concrete visit planning. Additionally, the house generally opens one hour before the performance begins. This allows enough time for arrival, drinks, orientation, and a relaxed preparation for the evening. The HOFSPIELHAUS thus creates a very clear connection between search intention and user experience: those searching for a program not only receive dates but also a good sense of the range and atmosphere of the house.
The current schedule also shows that the HOFSPIELHAUS does not simply place individual titles side by side but develops a recognizable repertoire. Der Kleine Prinz runs as an original production with Michael A. Grimm and Isabel Kott and is scheduled for several dates between January and May 2026. Lady Hotdog is positioned as a musical for the whole family and additionally brings a social aspect, as one euro from each ticket sold goes to the Munich animal shelter. Giesing Mountain connects theater with film and anchors the piece in a Munich district, while Kaltgestellt is listed as a comedy by Michele Lowe, thus strengthening the comedic profile of the house. Beatles on Board complements the musical component, and Schrecklich amüsant – aber in Zukunft ohne mich shows that even literary-humorous materials have a place in the schedule. For the search engine and for people on the website, this variety is valuable because it makes it clear that the house does not just offer a single piece or a temporary action but a whole season with a recognizable profile. This also leads to many long-tail searches such as Hofspielhaus der kleine Prinz, Hofspielhaus Loriot, or Hofspielhaus Lady Hotdog. Therefore, those interested in the program often search very concretely for titles. The HOFSPIELHAUS caters well to these search patterns because the website closely links the piece pages, date overviews, and ticket access. This transforms the schedule from a mere calendar into the actual entry point into the experience of the house.
Tickets, Ticket Sales, and Box Office at the HOFSPIELHAUS
The keyword field around Hofspielhaus tickets is particularly important for user intention, as many people first ask about booking, price, and pickup after looking at the program. The HOFSPIELHAUS offers several ways to do this, and this variety should remain visible in content and metadata. Tickets can be directly reserved through the schedule, via email at karten@hofspielhaus.de, by phone at 089 / 24 20 93 33, at the music store Zauberflöte next door, during office hours at the theater, or through Munich Ticket. For spontaneous guests, there are remaining tickets at the box office, if still available. The clear rule also applies to ticket purchases: if tickets have been reserved and paid for via the homepage, they will be ready under the name at the box office. This saves unnecessary trips and fits well with the central location of the house. It is also important that tickets are generally excluded from return. If a visit is not possible, the house recommends passing the tickets on to acquaintances or contacting them if a possible rebooking is needed. The practice is thus clear and uncomplicated but not arbitrary. For visitors, the price range is also relevant: regular tickets cost about 25 to 35 euros according to ticket information, students pay 15 euros. People with disabilities receive a discount of 5 euros on the regular price, and with the Munich Pass, there is a 50 percent discount on tickets on the day of the performance. This price structure makes the house more accessible and simultaneously shows that it is a non-profit theater. Additionally, it is very useful for planning to know that the theater opens one hour before the performance begins. This allows for a calm arrival, orientation, and perhaps even a drink or snack. Timing also plays a role at entry, as the seating distribution is organized by the team once all registrations are in. There is no free seating. For many guests, this may initially feel unusual, but in practice, it ensures that groups can sit together and the existing space structure is used sensibly.
Regarding the topic of Hofspielhaus dining, the schedule is also interesting because the house is not only a stage but also a place for small culinary offerings. The schedule page mentions a snack platter for 15 euros, which is best booked in advance via email or spontaneously ordered at the bar, depending on availability. Additionally, there is an arrangement menu + show that includes theater tickets, a welcome drink, a set table in the foyer, cold dishes before the performance, and a sweet dessert during the break. This interplay of culture and culinary offerings fits very well with the atmosphere of the house and makes it attractive for guests who want to spend not just a performance but an entire evening in the house. Especially in Munich, where many theater evenings are also combined with food or a subsequent city walk, this connection between program and snack is a real plus. This is important for SEO planning because the search intentions behind tickets, dining, and schedule often overlap. Users are not only looking for a piece but for a complete evening. The HOFSPIELHAUS meets this need through clear booking pathways, a comprehensible entry process, culinary offerings, and the possibility to conveniently secure tickets in advance. This creates a search and visit experience that fits very well with the keywords tickets, program, schedule, and dining.
Address, Directions, and Parking at Falkenturmstraße
The address is one of the strongest location factors of the HOFSPIELHAUS. Falkenturmstraße 8, 80331 Munich is not just a sober data point but a clear local identity feature. The house itself describes its location as between the State Opera and Platzl, parallel to Maximilianstraße. It is also referred to as being only about 100 meters from Platzl and the elegant Maximilianstraße. This is very helpful for visitors, as the location can be immediately translated into concrete route planning. According to the official FAQ, those coming from Marienplatz need about three minutes on foot, and from Odeonsplatz a maximum of five minutes. These short distances are an essential part of the user experience because they make the house easily accessible despite its old town location. Therefore, for search queries like Hofspielhaus Munich address or Hofspielhaus Munich directions, it is important not only to mention the street but also to provide orientation in the urban environment. The proximity to central squares and the use of the subway makes the house particularly attractive for people traveling from various districts or from outside. The location is also ideal for tourists, as it is directly embedded in the historic city center and remains easily accessible without complicated routes. The Hofspielhaus is thus a prime example of a cultural address where central location, short distances, and urban environment come together.
When it comes to parking, one should realistically consider the old town location. The HOFSPIELHAUS itself does not mention any private underground parking on its official pages, so drivers should plan to use public parking in the vicinity. A very close option is the parking garage at Marienplatz. According to the entry there, it has 265 spaces, an entrance height of 1.80 meters, an entrance width of 2.30 meters, and operates 24 hours. It is very centrally located in the old town, about 150 meters from Marienplatz, making it a practical orientation for visits to the HOFSPIELHAUS. At the same time, in an old town location like this, one can expect tight space and often high occupancy, so a buffer is advisable. For SEO, this information is particularly valuable because many visitors search for parking, address, and directions before booking. Those attending an evening event want to know if they can arrive comfortably, how far the walk is, and if there is a nearby parking option. The combination of proximity to Marienplatz and Odeonsplatz, central location in the old town, and a realistically reachable parking garage in the vicinity meets these search needs very well. Additionally, the location is equally pleasant for taxi users and public transport passengers, as the city center functions as a transport hub. The HOFSPIELHAUS benefits greatly from its location, as a performance does not begin somewhere on the outskirts of the city but right in the cultural center of Munich. This makes the location attractive for both visitors and organizers.
Seating Plan, Categories, and Accessibility
A particularly frequently searched topic related to the HOFSPIELHAUS is the seating plan. This is logical, as smaller theaters with fixed room structures often raise questions about visibility, the best seats, and the division into categories. The website of the HOFSPIELHAUS answers this very transparently: for theater performances, there are category A and category B. Category A usually includes rows 1 to 4 and the elevated seats at the back. Category B starts from row 5 and also includes those seats with a side view of the stage from row 3. This clear description is helpful for visitor planning, as it provides a rough orientation before purchase regarding where the best sightlines are located. At the same time, the house emphasizes that the seating arrangement can only be made once all individuals and groups have registered. There is generally no free seating. This may sound strict at first, but in a small theater, it is practically sensible, as groups can sit together and the space can be optimally utilized. This is a real advantage, especially for families, friend groups, or corporate bookings. Those who prefer a specific seating area can secure a preferred seat through a theater chair sponsorship. This is also an unusual but very theater-related model that connects loyalty and support of the house with a concrete benefit.
In connection with the search for seats, accessibility is also important. The HOFSPIELHAUS describes this very openly and differentiated. The courtyard is accessible at ground level and barrier-free. The theater room is located in the basement and is additionally accessible via a small elevator. However, this lift is small and not normatively barrier-free; the loft is only accessible via stairs, and the toilets are unfortunately not barrier-free. For people who rely on limited accessibility, this transparency is particularly important, as they can reliably plan before their visit. This information should not be sugar-coated in the content but clearly and respectfully formulated. Because real users are not looking for advertising slogans but for reliable facts. At the same time, the courtyard as a ground-level area shows that the house is at least partially well accessible. The combination of seating categories, team organization, and differentiated accessibility information fits very well with search queries like seating plan, best seats, or barrier-free. It makes it clear that the HOFSPIELHAUS is a well-organized but spatially compact theater where visitor guidance is deliberately structured. This provides orientation and at the same time creates a personal, almost familial visit feeling.
Rooms, Capacity, and Equipment in the House
The HOFSPIELHAUS is significantly more than a single audience room. This is where a large part of its quality as a location lies. According to the official descriptions, five rooms are available, which can be used differently depending on the occasion. On the ground floor, there are two large bright reception and meeting rooms of 25 and 30 square meters, each with two glass fronts. Both entrances lead to the charming, secluded courtyard of 30 square meters. In the basement is the large theater room with 80 square meters, flexible stage platforms, and a nice bar. On the first floor is the bright loft or studio with 68 square meters, overlooking the courtyard and the quiet Falkenturmstraße. Additionally, there is a preparation kitchen, dressing rooms for artists, ladies' and men's toilets, and a storage room. All rooms can be furnished or used empty. This setup is very flexible for seminars, conferences, photo shoots, workshops, customer invitations, Christmas parties, or small presentations. The room capacities are also clearly indicated: the theater offers seating for up to 70 and standing for up to 90 people. Foyer I accommodates seating for up to 25 and standing for up to 30 people. The loft offers seating for up to 60 and standing for up to 80 people. Foyer II is designed for seating for up to 20 and standing for up to 25 people. The courtyard allows seating for up to 40 and standing for up to 50 people. For a compact house in a central old town location, this is remarkably flexible. This also explains why the HOFSPIELHAUS functions both as a theater and as an event location.
According to the factsheets and seminar page, the equipment includes, among other things, a screen, projector, partition walls, moderation walls, flipchart, moderation case, sound and lighting system, chairs, benches, tables, platforms, coffee machine, and kitchen. This is particularly interesting for organizers, as it makes not only cultural evenings but also business formats and private celebrations realistically planable. The room logic is very well thought out. The courtyard can serve as a lounge area, the loft is well suited for seminars and conferences, the theater for stage formats and presentations, and the foyers take on reception, conversation, catering, or break functions. This multifacetedness is a significant unique selling point of the location. It makes the house relevant for search queries regarding capacity, hall plan, equipment, and rental. It is also important that the HOFSPIELHAUS operates as a non-profit GmbH and that the proceeds from events benefit the theater. For companies and private individuals, this can be an additional motivating factor, as renting not only books a room but also supports art and operations. The location is also prepared for culinary offerings: in the seminar and event context, coffee, tea, soft drinks, water, croissants, pretzels, fruit, sandwiches, cakes, or lunch can be organized. This turns a simple room inquiry into a comprehensive event concept. The spatial and technical flexibility is therefore not a minor detail but a core component of the positioning of the HOFSPIELHAUS in Munich.
Der Kleine Prinz, Lady Hotdog, Kaltgestellt, and Loriot: the artistic profile
Those searching for the HOFSPIELHAUS often look not just for an address but for a specific type of theater experience. That is why original productions and recurring pieces play a central role in the content strategy. Der Kleine Prinz is an original production with Michael A. Grimm and Isabel Kott. The official page describes the piece as an encounter and lists several dates for 2026, which shows that the house works with recurring performances. Lady Hotdog is a musical for the whole family by Thomas Erich Killinger. The production started on 10.03.2026 and is positioned as a humorous, musical evening for a broader audience. Particularly noteworthy is the social addition: one euro from each ticket sold goes to the Munich animal shelter. The piece thus combines entertainment, family appeal, and social engagement. Kaltgestellt is anchored in the schedule as a comedy by Michele Lowe and adds a modern, accessible comedic color to the profile. Giesing Mountain, in turn, carries the Munich district in its title, works with film and theater, and already refers to local anchoring and exploration in its name. This mixture of literary source, family musical, contemporary comedy, and locally inspired theater shows very well what the HOFSPIELHAUS stands for: not for a rigid genre but for an open, lively, and audience-friendly schedule.
Loriot is also firmly part of the house's image. On the official page, Loriot's dramatic works are listed as comedic original productions, featuring Marina Granchette, Christoph Theussl, and Leon Sandner. The productions have run or are running in different seasons and also as an open-air variant in the courtyard, with a switch to the theater room in case of bad weather. This is a good example of how the HOFSPIELHAUS works with its spaces and translates seasonal flexibility into artistic form. For search queries like Hofspielhaus Loriot, this is particularly relevant, as Loriot as a brand stands for subtle humor and classic German comedy. The house connects to this and simultaneously shows that its repertoire is maintained even in current seasons. For users, it is important that these pieces do not appear as random mentions but as recognizable program components of a house with a profile. This fits with the statement that the HOFSPIELHAUS is a place of theater, art, and encounter in the heart of Munich. This formulation precisely describes what visitors can expect on-site: an intimate stage, a personal team, changing formats, and a closeness to the audience that is often not found in larger houses. The connection of dining, conversation, and performance is also part of this profile. The house invites not only to a production but to an entire evening with atmosphere. That is why keywords like Hofspielhaus art, Hofspielhaus program, and Hofspielhaus dining work so well together. They point to a theater that is thought out in terms of content, space, and organization beyond just the performance time.
In summary, the HOFSPIELHAUS is a versatile, centrally located, and clearly positioned theater house in Munich that is interesting for both cultural audiences and organizers, groups, and companies. The schedule covers a wide spectrum, the ticket logic is transparent, the address is immediately understandable, and the room structure offers real flexibility. The house is particularly strong where proximity, personality, and urban location come together. That is why the HOFSPIELHAUS remains a strong name for search queries related to program, tickets, seating plan, directions, parking, events, and special theater evenings in Munich.
Sources:
- Hofspielhaus Munich - Schedule
- Hofspielhaus Munich - FAQ about the Hofspielhaus
- Hofspielhaus Munich - Seminar, Rooms, and Equipment
- Hofspielhaus Munich - Tickets
- Hofspielhaus Munich - Der Kleine Prinz
- Hofspielhaus Munich - Lady Hotdog
- Hofspielhaus Munich - Loriot's Dramatic Works
- Hofspielhaus Munich - Kaltgestellt
- Hofspielhaus Munich - Giesing Mountain
- mux.de - Parking Garage at Marienplatz (07)
Frequently Asked Questions
Reviews
No reviews found