Friedemann Weise live: Satire is Looking for a Home – Munich premiere at Lustspielhaus


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Friedemann Weise gives satire a new home
When satire meets guitar, screen, and a healthy dose of quirky humor, an ordinary Sunday evening turns into a special laughter experience. Friedemann Weise presents his fifth solo program Satire is Looking for a Home as the Munich premiere at Lustspielhaus on October 25, 2026.
Between punchlines, songs, and visual ideas
Friedemann Weise combines stand-up, musical cabaret, and satirical miniatures into a distinctive stage mix. Short scenes, songs, and visual ideas alternate – precise in timing, surprising in perspective, and always with that dry humor that makes even everyday situations suspiciously funny.
Satire with a guitar and Friedemännchen
On stage alongside Weise is a guitar, a screen, and a special stage double: the Friedemännchen. In two parts of 50 minutes each, the award-winning satirist examines why satire remains indispensable in societal discourse. The result sounds like cabaret, looks like a small stage sensation, and develops its impact especially live.
An award-winning look at the everyday madness
Friedemann Weise is known as a songwriter, author, and satirist. He has been seen in the heute-show, works for satirical radio formats, and received the German Cabaret Award in 2024 in the category of cabaret. His style combines music comedy, wordplay, social satire, and a distinctive stage presence.
Munich premiere at Lustspielhaus
The Lustspielhaus offers the perfect setting for this comedy atmosphere between cabaret stage, concert moments, and quirky visual world. Doors open at 5:30 PM, and the show starts at 7:30 PM. Those who want to experience satire not just as consumers but in its subtle intellectual jabs will find plenty of food for thought and laughter here.
Friedemann Weise shows how much comedic potential lies in a guitar, a screen, and a rather quirky perspective on the world. The audience can expect a fast-paced laughter experience with music, punchlines, and visual surprises. This Munich premiere is best enjoyed live – because good satire doesn’t need a home, but an audience.
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