Maximilian Hornung plays Bach in Munich: Concert in Mars-Venus Hall


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An evening full of Bach, sound depth and historic spaces
On May 9, 2026, a concert evening that focuses entirely on the expressive power of the cello opens at the Bavarian National Museum. Maximilian Hornung interprets Johann Sebastian Bach's Suites for Solo Cello No. 2 to 4 in the Mars-Venus Hall, combining baroque architecture, fine sound colors, and immediate live atmosphere into an extraordinary concert experience.
A hall that lets the sound breathe
The Mars-Venus Hall in the Bavarian National Museum provides the suitable frame for this intimate yet highly concentrated stage. The historic environment gives the evening a special aura, while every bow gesture, every phrase, and every dynamic nuance can unfold immediately in the space. It is here that the rare audience atmosphere that shapes great classical evenings arises.
Maximilian Hornung between virtuosity and musical depth
Maximilian Hornung is one of the most notable cellists of his generation. The official artist biography describes his playing as carried by extraordinary technical mastery, great sound color variety, and emotional presence. His career has taken him to renowned orchestras and conductors, including the Symphony Orchestra of the Bavarian Radio, the Bamberg Symphony Orchestra, and the Vienna Symphony Orchestra. In 2007, he won First Prize at the ARD Music Competition with the Tecchler Trio; moreover, several highly acclaimed recordings of Dvořák, Haydn, Schubert, and Shostakovich have been released.
Bach in concentrated radiance
The program features Suites No. 2 to 4 by Johann Sebastian Bach. This repertoire demands the highest control over phrasing, articulation, and inner dramaturgy. Hornung plays on various cellos and with bows from the MÜNCHNER GEIGENTAGE exhibition. The planned change of instruments during the concert offers the audience a special comparison of sound characters, resonance, and historical playing culture.
A concert for fine ears and open minds
Those who love classical music will not experience a routine standard program here, but a carefully curated live event focused on substance and musical tension. The switch between instruments, the clear programming, and the chamber music character of the evening make this concert a must for listeners who want to dive deep into the world of the cello.
Conclusion: Concert 3 with Maximilian Hornung promises an evening full of intensity, historical elegance, and great sound culture in Munich. Those who want to experience Bach in a particularly immediate, atmospheric interpretation should not miss this live experience in the Mars-Venus Hall.
Official channels of Maximilian Hornung:
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