When can the exhibition be visited on October 21, 2026?

The exhibition is open on Wednesday, October 21, 2026, from 3 PM to 7 PM.

What is the entrance fee?

The regular admission fee is 8 euros and the reduced fee is 5 euros.

Are there guided tours of the exhibition?

Public guided tours take place on Tuesdays at 6 PM on selected dates.

Is the exhibition accessible for people with disabilities?

The exhibition halls are accessible by elevator. It is recommended to indicate wheelchair spots at the time of ticket purchase.

How can I reach Pasinger Fabrik by public transport?

The S-Bahn lines S3, S4, S6, and S8 go to the Pasing stop. The Pasinger Fabrik is located directly at the north exit of the station.

Are there parking facilities?

The Pasinger Fabrik does not have its own customer parking spaces. Paid parking is available in the underground garage of the nearby Pasing Arcades.

Fake Noise, True Image: Sound Machines and Art to Trigger Yourself in Munich

Name: Fake Noise, True Image – Synergies in Art
Start: 2026-10-21T15:00:00+02:00
End: 2026-10-21T19:00:00+02:00
Location: Pasinger Fabrik – Galerie 1

When Machines Become Sound Sculptures

The exhibition Fake Noise, True Image – Synergies in Art transforms the Pasinger Fabrik into an unusual resonance space between visual art, music, theater, and technology. On Wednesday, October 21, 2026, visitors will experience electromechanical sound artworks by the Munich artist duo Portmanteau from 3 PM to 7 PM.

Art to Touch, Hear, and Marvel

At the center are strange music machines created from old, found, or recycled materials. Automatons like Sittichquirl, Alpinium, Strippenzieher, Singvase, and Grobian combine sculpture, mechanics, and sound into a playful installation. Through coin insertion, button pressing, or cranking, visitors set the works in motion themselves.

Chairs begin to tap dance, a flock of sheep sounds off, and a singing vase develops its own humorous form of indulgence. The exhibition thus appeals to the eye, ear, and belly, offering an immediate art experience for playful children from 0 to 99 years old.

Portmanteau and the Aesthetics of the Machine

Behind Portmanteau are Gerald Greulix Schrank and Christian Taison Heiß. This duo, active for more than twenty years, works at the intersection of band project, recording studio, theater, and technical tinkering. Süddeutsche Zeitung described Portmanteau as the Tinguelys of theater – a historically accurate connection to kinetic art and the tradition of the quirky machine object.

The exhibition connects this mechanical fantasy with a versatile showcase. In addition to sound machines, parts of stage sets, photographs, prints, and cardboard comics are on display. Martin Dessecker contributes his transparencies and visual aids, Petr Mayr presents screen prints, etchings, and spatial installations. Willi Haas examines photographic orientation in images, while astrophysicist Dr. Leonhard Scheck works with unusual cuts through space-time.

A Place with Industrial Memory

The spatial effect of the exhibition receives a special resonance from the history of the Pasinger Fabrik. Where art, theater, and cultural education take place today, once stood the headquarters of Ritterwerke, where household appliances were produced from 1912 to 1982. A site-specific work created from hand-cranked meat slicers references this industrial past and translates it into a humorous sound installation.

Artwork Observation and Cultural Education

On many days, the artists themselves are present, guiding visitors through the spaces and interacting with individual works. This creates a direct connection between curation, production, and reception. The aesthetic experience is not limited to distant observation but becomes an experimental encounter with material, movement, light, sound, and space.

The exhibition runs from October 9, 2026, to March 14, 2027. Public tours take place on Tuesdays at 6 PM on selected dates. Accompanying music performances expand the interplay of installation and live sound.

Conclusion: An Exhibition You Have to Trigger Yourself

Fake Noise, True Image does not greet its guests with silent contemplation but with a lively observation of works full of mechanical surprises. Those who wish to experience kinetic art, sound art, recycled materials, and humorous stage aesthetics should definitely visit the Pasinger Fabrik live and coax sounds from the machines themselves.