Donizetti's Requiem delights Munich in the Herkulessaal of the Residenz


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Donizetti's Requiem meets the rare sound worlds of Johann Simon Mayr
An extraordinary concert program awaits the Munich audience on Saturday, October 31, 2026, in the Herkulessaal of the Residenz. Gaetano Donizetti's emotionally charged Messa di Requiem combines with concert excerpts from Johann Simon Mayr’s sacred drama Atalia – a musical encounter between sorrow, comfort, dramatic power, and quiet intimacy.
Between sorrow, comfort, and hope
Donizetti composed his Requiem in 1835 in memory of the death of his colleague Vincenzo Bellini. The score unfolds an intense sonic language, where the choir and orchestra alternate between powerful outbursts and contemplative moments. In the historic atmosphere of the Herkulessaal, a focused live environment emerges, making the sacred character of the work immediately tangible.
Johann Simon Mayr and the musical connection to Donizetti
The excerpts from Atalia provide insight into the dramatic works of Johann Simon Mayr. Mayr, one of Donizetti's most important teachers, significantly influenced the young composer. His work, premiered in Naples in 1822, combines sacred drama, theatrical tension, and colorful orchestration.
Deutsch-Italian sound friendship on stage
The MaxChor München performs together with the Coro Città di Piazzola sul Brenta and the Kammerphilharmonie Ingolstadt. Additionally, international soloists will take part: Evgeniya Sotnikova, Ruth Volpert, Andrés Agudelo, Petro Morozov, and Martin Snell. The overall direction is under the responsibility of Gerald Häußler.
The concert also marks the 75th anniversary of diplomatic relations between Germany and Italy. Shared singing and making music connect two cities, two musical traditions, and a long European cultural history.
An evening concert with historical depth
The combination of Donizetti's Requiem, Mayr’s Atalia, and Lucio Mosè Benaglia’s Symphonic Postcards creates a varied program blending sacred music, operatic drama, and contemporary sound language. Precise conducting, multi-voiced choral arrangements, and the characteristic acoustics of the Herkulessaal promise an impressive concert experience.
Conclusion: Music as a bridge between times and countries
Visitors will experience a special concert evening with a large choir, an international ensemble of soloists, and a rarely performed work by Mayr. Those who wish to experience the connection of Italian opera tradition, sacred music, and European cultural history live will find an extraordinary musical meeting point in the Herkulessaal.
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